Movies

خلاصہ: New STAR TREK Film Coming From The DUNGEONS & DRAGONS Filmmakers The Star Trek universe is setting a new course, and this time, it’s in the hands of the creative duo behind Dungeons & Dragons: Honor Among Thieves. Jonathan Goldstein and John Francis Daley have officially been hired by Paramount Pictures to write, produce, and direct a completely new Star Trek film, one that’s not tied to any previous movies, series, or development projects.According to Deadline, the upcoming project will be “a completely new take in the Star Trek universe and is not connected to any previous or current television series, movie, or prior movie development projects.” That means we’re in for a fresh story, with the potential for an entirely new crew and characters, a true reboot of the franchise for a new generation.For longtime fans, this news might feel like the first glimmer of hope in a turbulent decade for Star Trek on the big screen. After 2016’s Star Trek Beyond, Paramount’s plans for a follow-up with Chris Pine, Zoe Saldaña, and Zachary Quinto went through countless iterations. Projects came and went, and one of them included an R-rated pitch from Quentin Tarantino. Another come from Noah Hawley, and there were even talks of a Starfleet prequel, but none ever got off the ground.Meanwhile, the franchise thrived on streaming, with shows like Picard and Strange New Worlds reigniting excitement among fans. Now, with Goldstein and Daley onboard, it finally feels like that warp drive is powering back up.These two filmmakers have proven they can handle major franchises with humor, intelligence, and heart. Their work on Game Night and Dungeons & Dragons: Honor Among Thieves showed their knack for blending sharp writing with genre-savvy fun. They also co-wrote Spider-Man: Homecoming, helping kick off the Tom Holland era of the MCU. Their upcoming film Mayday, due next year, reportedly continues their streak of mixing action, comedy, and creativity in unexpected ways.It’s honestly perfect that Daley is now stepping into the Star Trek universe. I like the idea that the geeky kid from that cult classic series Freaks & Geeks grew up to direct Dungeons & Dragons and now Star Trek. If Dungeons & Dragons: Honor Among Thieves proved anything, it’s that Goldstein and Daley know how to take a beloved franchise and turn it into some really awesome and fun. If they can bring that same charm and balance of adventure, humor, and heart to Star Trek, we might be looking at the next great cinematic voyage for the final frontier.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: AVENGERS: DOOMSDAY Rumored to Center on Clash Between Doctor Doom and Captain AmericaThe latest rumors surrounding Avengers: Doomsday is giving fans a much different picture of the movie’s core conflict than expected. The casting for the film that has been revealed so far with Pedro Pascal ’s Reed Richards and Robert Downey Jr. ’s Doctor Doom, fueled expectations that the two would anchor a major storyline together. Since Doom showed up in the mid-credits scene of The Fantastic Four: First Steps , many assumed the rivalry between Reed Richards and Victor Von Doom was finally about to ignite on screen. But new reports suggest that isn’t the direction Marvel is taking. While Downey’s Doom Variant exists apart from Earth 828’s Fantastic Four, fans were hoping the two geniuses would clash in a big way. If the latest rumour is on the money, that meeting may not happen here and some fans are already bracing for disappointment. A leaker known as @variablelace claims that most of Doomsday will actually focus on Doctor Doom taking on Steve Rogers. Shortly after that, scooper @MyTimeToShineH added: " and Evans weren’t even going to be part of The Kang Dynasty , and now they’re not only back but will be the main focus of Doomsday .” Other sources have echoed the same thing which strengthens the idea that this story leans heavily on the dynamic between Doom and Cap rather than Doom and Reed. The reasoning behind Doom’s obsession with Steve supposedly ties back to Avengers: Endgame . Rumor has it Doom arrives on Earth-616 convinced that Rogers’ decision to return to the past and stay with Peggy Carter created the Incursion that wiped out his world. That destructive ripple may have even triggered the chain of events threatening the entire Multiverse. Fans have been wondering for years what Cap’s off screen life looked like after Endgame ended and Doomsday might finally give that answer. Of course this approach comes with trade offs. Doom’s long running rivalry with Reed Richards is one of Marvel’s most iconic relationships and shifting it out of the spotlight won’t sit well with some comic readers. The film is directed by the Russo Brothers with a script by Stephen McFeely , marking a return to the creative team behind some of Marvel’s biggest hits in the Avengers and Captain America franchises. Michael Waldron , known for Loki and Doctor Strange in the Multiverse of Madness , is also contributing to the screenplay which adds even more multiverse expertise to the mix. Avengers: Doomsday arrives December 18, 2026. Its follow up, Avengers: Secret Wars , is set for December 17, 2027. If these rumors hold true, Doom’s warpath toward Steve Rogers could redefine the MCU’s entire multiverse saga and set the stage for a massive showdown.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: A New FRIDAY THE 13TH Movie Is Happening and One Director Has Already Thrown His Mask into the RingIt looks like Jason Voorhees is sharpening the machete again. A new Friday the 13th movie is officially in development and this time the update comes straight from someone who has been working inside the freshly launched Jason Universe. Director Mike P. Nelson , who helmed the recent official short film Sweet Revenge , has confirmed that the long awaited return to the big screen is real and not another rumor horror fans will chase in circles. I caught up with Nelson while talking about his new remake of Silent Night, Deadly Night , which screened at Fantastic Fest. Since he was the filmmaker behind Sweet Revenge , the conversation naturally drifted to the state of the franchise and whether the short had been a hint of something larger. Nelson could not spill everything, but what he did reveal is enough to spark some excitement with fans. He said: "They are working on it, that I can promise you, because I've heard of it and because I have that direct communication with them, it's there. So that's really happening. And yes, they have reached out . “As have other people. I can't say too much, but I will say that I have given my two cents, I have given them my take, and right now it's in their court and we'll go from there." That confirms not only that a new Friday the 13th movie is moving forward, but that Nelson has already pitched his vision to the producers. It lines up with comments from Horror Inc. vice president Robbie Barsamian who previously said: "I can tell you that a new sequel movie and new sequel game are at the top of our list. It's where most of our energy's going right now." What Nelson’s take looks like is still a mystery. Sweet Revenge offered a slick and vicious slice of Crystal Lake mayhem, starring stunt performer Schuyler White as Jason while Ally Ioannides played Eve, a final girl whose fate took a wild turn in the last moments. The short ends right as it hints at a larger showdown, leaving the door open for a continuation or a complete reimagining. Nelson has been fearless with franchises before with his 2021 Wrong Turn reboot and his daring approach to Silent Night, Deadly Night , so it is not surprising to hear him describe how he deals with long running series. He explained: "I think a lot of IP loses its luster because it's way too 'holier than thou' and 'we need to be careful.' Dude, get over it, man. Get out there and try something. “That's the reason why the original content worked so well is because somebody went out and did something, you know what I mean? And they did something that was different. So why not do something different?" If his pitch is chosen, do not expect a by the numbers Jason outing. Nelson seems ready to shake things up rather than repeat the usual beats. Whatever direction the producers choose, the important part is that the franchise is finally thawing after years locked in a legal freeze. While Peacock continues production on its prequel series Crystal Lake , that project is unrelated to the movie now taking shape. For the first time in a long while, the path back to Camp Crystal Lake looks clear. Jason is coming home and horror fans might soon see what fresh carnage awaits. Source: /FilmSource InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: Netflix Head Insists Warner Bros. Deal Won’t Crush Theaters - "We Didn’t Buy This Company to Destroy That Value"Netflix sent Hollywood into full panic mode last week with its winning bid for Warner Bros., and the anxiety only escalated when Paramount came out swinging with its hostile takeover attempt. So on Monday, Ted Sarandos and Greg Peters jumped back on a Wall Street call to cool everyone down, especially those worried Netflix was about to bulldoze theatrical exhibition. Sarandos wasted no time addressing the concern head on. “In this transaction, we pick up three business we’re not currently in, so we have no redundancies currently,” he said. “One of them is a motion picture studio with a theatrical distribution machine.” He doubled down on keeping Warner Bros’ theatrical identity intact. “We’re deeply committed to releasing those movies exactly the way they would release those movies today,” making it clear that the streamer plans to embrace the same model the studio has been running for decades. According to Sarandos, Netflix isn’t swooping in to transform Warner Bros. into a purely streaming pipeline. “All three of these new businesses, we want to keep operating largely as they are,” he added, pointing to the Warner TV production division and HBO as well. For Netflix, this acquisition puts them in a lane they’ve only dipped a toe into previously. “The theatrical business, we talked a lot about in the past about wanting to do it, because we’ve never been in that business. When this deal closes, we are in that business. And we’re going to do it.” Netflix has traditionally approached theatrical releases as awards qualifiers, not revenue engines. Its first true wide release came just months ago with the two day rollout of KPop Demon Hunters . The film hit more than a thousand theaters, bypassed AMC, and still pulled in $19 million dollars, becoming the streamers first number one domestic box office title. It arrived in theaters after becoming the most watched movie ever on Netflix, racking up 325.1 million global views. One of the biggest lingering questions is the theatrical window. Sarandos has danced around the number since the deal was announced. On Friday he said he wanted to see it “evolve,” but his tone shifted on Monday. “If we did this deal 24 months ago, all those movies we saw this year do so well for Warner Bros. would have been released in the same way in theaters. I’m talking about Minecraft , I’m talking about Superman , I’m talking about Weapons , I’m talking about Sinners ,” he said, nodding to the studios gigantic 2025 lineup that is expected to cross $4 billion globally. He clarified Netflix’s intentions. “These movies will be released on Netflix through theaters the way Warner Bros. did it before, but with the Warner Bros. operating entity. It’s really important the way they create, and the way they drive value. We didn’t buy this company to destroy that value.” Not everyone in town believes that, though. Some studio executives immediately feared the acquisition signaled the collapse of theatrical and the long tail revenue model that has kept studios financially healthy for decades. One exec questioned the whole move, asking why Netflix wouldn’t just “continue to license titles at a fraction of the cost” instead of buying Warner Bros. outright. But cooler heads also chimed in. “One studio alone can’t unilaterally collapse the window,” said one motion picture exec. Another exhibition executive put it more bluntly, noting that if Netflix truly wanted to wipe out theatrical, “they would have bought all three circuits for $20 billion dollars, significantly less than the cost of Warner Bros.” Still, Sarandos’ well known preference for a shorter seventeen day window remains at the center of the conversation. It was the sticking point that kept Wake Up Dead Man: A Knives Out Mystery out of AMC, Regal, and Cinemark. Netflix refused a thirty day exclusive window before the film hit streaming, and the major chains walked away, even as the movie went on to sell out arthouses. Meanwhile, Paramount’s David Ellison weighed in during his own Monday call with analysts, promising more than thirty films a year if his company manages to grab Warner Bros Discovery. Ellison also invoked the anxieties of legendary filmmakers. According to him, talents like James Cameron and Jane Fonda see a Netflix Warner Bros merger “as a disaster for theatrical films.” For now, Hollywood is stuck in a holding pattern, watching to see whether Sarandos truly intends to support the theatrical ecosystem or reshape it around Netflix’s long term streaming strategy. The industry may be rattled, but Netflix is insisting it wants a thriving theatrical business, not a diminished one. Whether that philosophy holds once the deal closes is the question everyone is waiting to see answered. Source: DeadlineSource InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: Intense New Trailer for MERCY Sees Chris Pratt Take on a Deadly AI Justice SystemAmazon MGM released a new trailer for Chris Pratt ’s upcomimg sci-fi thriller Mercy , and it cranks the tension way higher than the first look. Mercy is set in the near future the story is built around an Artificial Intelligence judge that decides a person’s fate. It taps into the same unnerving territory that Minority Report explored but gives the concept a sharp technological twist. Directed by Timur Bekmambetov , this is his first major Hollywood feature since Profile in 2018, and it feels like he is leaning fully into high-intensity spectacle. In this world the justice system has shifted to AI driven sentencing and one detective finds himself trapped inside the system he once defended. Pratt plays a man accused of murdering his wife with only ninety minutes to clear his name before the AI Judge seals his fate. Rebecca Ferguson steps in as the cold and intimidating AI Judge Maddox, adding an eerie presence that dominates the trailer. The cast also includes Kali Reis , Annabelle Wallis , Chris Sullivan , and Kylie Rogers . The footage is packed with action and chaos. Car chases tear through a futuristic city while foot pursuits and frantic shootouts escalate the desperation. The film seems to be aiming for a fast-paced race against time and this trailer leans heavily into that adrenaline. It’s a noticeable step up in intensity compared to the initial reveal and it definitely positions the film as an exciting AI thriller. Amazon MGM’s synopsis reads: “‘The future of criminal justice is Artificial Intelligence.’ In the near future, a detective (Chris Pratt) stands on trial accused of murdering his wife. “He has 90 minutes to prove his innocence to the advanced Artificial Intelligence Judge (Rebecca Ferguson) he once championed, before it determines his fate once and for all and sends him to execution.” Bekmambetov, known for Night Watch , Day Watch , Wanted , and Abraham Lincoln Vampire Hunter , brings his signature visual energy to the story. The screenplay is written by Marco van Belle and the film is produced by Charles Roven , Robert Amidon , Bekmambetov, and Majd Nassif . Mercy will hit theaters nationwide, including in 3D, on January 23, 2026.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: New SUPERGIRL Trailer Description Reveals Lobo, Superman Being Peed On, and Plenty of Cosmic ActionDC Studios promised the first teaser for Milly Alcock ’s Supergirl would drop this week, and while everyone is still waiting for that official release, a new description of the footage is already lighting up social media. The studio appears to be holding the exact date close to the chest, likely to avoid competing with the possible Avengers: Doomsday sneak peek, but fans now have an idea of what’s coming. If this breakdown is accurate, the teaser leans hard into cosmic adventure, wild humor and the raw emotional tone of Tom King and Bilquis Evely ’s Supergirl Woman of Tomorrow comic. The description surfaced after DC’s teaser launch events yesterday and matches a longer breakdown that made the rounds last week . What’s different this time is that the fluff is gone and the specifics are sharper. It confirms appearances from Jason Momoa as Lobo, Matthias Schoenaerts as Krem of the Yellow Hills and Eve Ridley as Ruthye, the young girl who joins Kara on what looks like a life changing journey. Here’s the full description from @MyTimeToShineH : “The trailer opens with Krypto peeing on a newspaper with Superman on the cover. Kara wakes up hungover, and we then see her boarding a space bus. She’s shown celebrating her 23rd birthday alone at a bar, really emphasizing her isolation. “The trailer then moves into a montage of her and Ruthye traveling across the galaxy to different locations. Krem appears briefly in a shot. Lobo is shown walking down a hallway. The trailer ends with Kara in full costume, fighting enemies aboard a massive space battleship.” That opening gag with Krypto sets the tone for a version of Supergirl that isn’t afraid to mix messy humanity with grand sci-fi spectacle. Even though James Gunn didn’t write the film, his offbeat comic book sensibilities seem to echo through the material, especially if the teaser begins with Superman getting peed on by a dog. The story follows Kara as she ventures across the galaxy on what was meant to be a birthday trip with Krypto. Instead, she crosses paths with Ruthye and becomes wrapped up in a revenge driven quest that shifts her entire perspective. It’s a personal arc pulled straight from the source material and fans of the comic will likely recognize the tone right away. With cosmic battleships, interstellar road trip energy, and an attitude that feels sharper and more emotionally charged than previous live action takes on the character, this teaser sounds like it’s ready to get people hyped. The official Supergirl trailer lands this week, and the movie hits theaters on June 26, 2026.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: THE BATMAN: PART II Reportedly Adding a New Male Villain and an A-List Star Has Been Offered the RoleCasting momentum is kicking into gear for The Batman: Part II as the sequel quietly lines up its major players ahead of production early next year. Word recently broke that Scarlett Johansson is taking on a key role, and now it seems director Matt Reeves is preparing to introduce yet another high profile character to challenge Robert Pattinson ’s Dark Knight. Insiders have been batting around theories about who Johansson might be playing. Some believe she could be stepping into a villain role while others think she may start out as a new romantic interest for Bruce Wayne who later reveals a darker agenda. Whatever the case turns out to be, a second antagonist is said to be joining the story and this one is reportedly going to be played by an A-list actor. Scooper Daniel Richtman shared, "I hear they are also casting for a male villain for the Batman and an offer is already out for an A-lister." Richtman didn’t reveal a name yet there have been rumors that the mystery actor may be someone who recently tore up the screen in another major Warner Bros. project. The identity remains a guessing game for now although the character itself invites even more speculation. As for the character, Jeff Sneider floated the idea that the role could be Amadeus Arkham although that take would require a significant reimagining of the Arkham Asylum founder to fit Reeves’ grounded Gotham. Reeves has teased before that the sequel’s central threat would be unlike anything seen in previous Batman films which led many to think he was hinting at Johansson’s character. He addressed the secrecy surrounding the project in a recent interview. “Because of what the first movie was and what is, which is so much a detective story, the idea of trying to protect the secrets of the movie is super important because it’s a mystery. “That would be an extra level of heartbreak if that part of it started getting out. You wanna keep the surprise so the fans... can have the fun experience that I always love going to the movies, which was to go and be surprised,” the filmmaker said. On top of returning cast members like Colin Farrell ’s Penguin, several others have reportedly read the script including Robert Pattinson who received his copy in a highly secured envelope that required a separate code just to open. Reeves explained how crucial Pattinson’s reaction was. "He’s Batman, so if he doesn’t like it, not good. So, I was super excited because I thought that he really would because the things that it does for his character, for Batman, and for has never been done before in this way. And I had a feeling he would respond in this way, the fact that he did was incredibly encouraging.” With casting offers heading out and secrecy locked down tighter than Arkham itself, The Batman: Part II is shaping up to push Gotham’s protector into uncharted territory. The film arrives in theaters on October 1, 2027.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: SUPERMAN Director James Gunn Has Some Pointed Advice for Fans Who Tell Him What “We” WantCredit: Amber Asaly Via: EW Fans love to tell filmmakers what the DC Universe should look like and James Gunn is definitely used to hearing about it. The filmmaker has been busy getting Man of Tomorrow ready to shoot, but he still makes time to interact with fans online. Sometimes that leads to fun conversations and sometimes it spirals into odd debates about character demands and design choices. This week, Gunn chimed in with a bit of guidance for anyone who hops onto X, Threads, or Instagram to declare what “we” all want from the new DCU. Gunn wrote on Threads : "If you want to see something from a filmmaker consider phrasing it as 'I' as opposed to 'We' ie 'I want to see Ambush Bug in the DCU' vs 'We want to see Ambush Bug in the DCU', 'I want to see an onscreen Batman with white eyes,' vs 'We want to,' etc. “Your personal desire is meaningful and has weight, but when you frame your personal desire as a universal one, it rings false and becomes forgettable." He wrapped the message with a playful note, "Own what you want! 🧜‍♂️" That sparked plenty of chatter, with some fans calling it sage advice and others treating it like a lecture from the guy who should be focusing on finding his job as CEO of DC Studios. Either way, Gunn’s online presence continues to be its own storyline. He debunks rumors, hypes the DCU slate, and casually drops creative insights whenever he feels like it. Gunn also recently talked movies and TV, sharing his favorites of 2025 so far. "I loved Barbarian , but Weapons puts Zach Cregger in a different league," he said. "A movie that’s so weird, so wild, both tonally and structurally, and yet so accessible. And truly scary. Probably my favorite of the year." He added another contender. "Although it also might be One Battle After Another . It is as close as anything onscreen has ever come to a Thomas Pynchon novel that, for me, is the very highest praise." On the TV side, he had high praise for one standout. " Adolescence for me was far and away the best television of the year, and episode three was one of the greatest episodes of television of all time even though it tears your soul apart." While fans pick apart every hint Gunn drops online, the filmmaker is gearing up to shoot Man of Tomorrow next year. It’s set to be the project that plants the new DCU’s flag, starring David Corenswet as Clark Kent and Superman, Nicholas Hoult as Lex Luthor, Rachel Brosnahan as Lois Lane, Isabela Merced as Hawkgirl, and Frank Grillo as Rick Flag Sr. There are reports of more DCU players showing up as well, including potential appearances by Aaron Pierre as John Stewart and John Cena returning as Peacemaker. Gunn is also reportedly on the hunt for the new Wonder Woman and still searching for the actor who will bring Brainiac to life. Once Man of Tomorrow hits theaters on July 9, 2027, the DCU will enter a new phase. Until then, Gunn will likely keep doing what he always does interacting directly with fans, giving advice when he feels it’s needed, and reminding the internet that it’s okay to speak for yourself.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: Sterling K. Brown Stars in Trailer for Season 2 of Hulu's Hit Conspiracy Thriller Series PARADISEHulu has released the first trailer for Season 2 of their hit conspiracy thriller series, Paradise , starring Sterling K. Brown . The show’s synopsis reads: “Hulu's Paradise is set in a serene community inhabited by some of the world’s most prominent individuals. In Season 2, Xavier (Sterling K. Brown) searches for Teri out in the world and learns how people survived the three years since The Day. “Back in Paradise, the social fabric frays as the bunker deals with the aftermath of Season 1, and new secrets are uncovered about the city's origins.” The series is created and showrun by acclaimed screenwriter Dan Fogelman ( Life Itself , Danny Collins , Galavant , This Is Us ). The series also stars Julianne Nicholson , Sarah Shahi , Nicole Brydon Bloom , Krys Marshall , Enuka Okuma , Aliyah Mastin , Percy Daggs IV , and Charlie Evans ; with guest stars James Marsden , Shailene Woodley , Thomas Doherty , and Jon Beavers . This looks like a great second season is headed our way! Check out the trailer below, and watch season 1 of Paradise on Hulu now while you get ready for season 2, scheduled to return on February 23, 2026.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: Massive Budget for AVATAR: FIRE AND ASH Revealed, Though Some Wonder If the Fans and Nominations Will Continue WaningWhen the first Avatar movie came out in 2009, it astounded viewers with its beauty and innovative new technology that was used to bring the movie to life. That movie garnered nine Oscar nominations, including best picture and director, and it went on to win three- for cinematography, art direction and visual effects. Fans had to wait over a decade for the second film, Avatar: The Way of Water (2022), and this movie was met with much less fanfare. The sequel received four nods (for best picture and in three technical categories), and won just one, again for visual effects. This threequel, Avatar: Fire and Ash , will open this month on the 19th, and early reactions have described the film as “unfathomably epic,” but “exhausting,” and “repetitive.” Variety reports that the trajectory of the franchise is clearly downward, despite the film’s reported $400 million-plus budget. For the film series to continue with director James Cameron ’s planned fourth and fifth films, obligations mean this third movie needs to be a four-quadrant blockbuster first, and an Oscar contender second. While we still have approximately a month to wait for Academy Award nominations to be released, Golden Globe nominees were released this week, and Avatar: Fire and Ash only received two nods- one for the new Cinematic & Box Office Achievement award and one for Best Original Song for "Dream as One," by Miley Cyrus . Cameron has his head down, focusing on building a five-film saga that prioritizes technological legacy over trophies, but how well this third film does is a reality that shapes how voters will receive his movie, and the future films under the Avatar name.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: Seth Rogen and Rose Byrne’s PLATONIC Scores a Season 3 Renewal at Apple TVFans of Apple TV’s comedy series Platonic can celebrate because Sylvia and Will are getting another round of mid life chaos and questionable decision making. Apple has officially renewed the Seth Rogen and Rose Byrne comedy for a third season, giving the duo another shot at finally opening their “Sh*tty Little Bar”. Season 2 wrapped in October with ten episodes that pushed the already messy friendship between Byrne’s Sylvia and Rogen’s Will into new territory. Will’s wedding blew up, Sylvia’s side career as a party planner exploded, and back at home she navigated fresh tension with her lawyer turned author husband Charlie, played by Luke Macfarlane . The finale also brought a fun surprise appearance from Byrne’s real life husband Bobby Cannavale , who showed up as Brett Cayote, the action star version of Charlie. The ensemble included Andrew Lopez as Reggie and Carla Gallo as Katie who is also sleeping with Will. The season ends with Will and Sylvia agreeing to open a bar together to work around a non-compete clause which sets the stage perfectly for more trouble in season three. Platonic is a fun show and it comes from creators Nicholas Stoller and Francesca Delbanco and is produced by Sony Pictures Television. Both Rogen and Byrne are already major players in the Apple TV world. Rogen’s The Studio was renewed for a second season and recently pulled in thirteen Emmy wins including Outstanding Comedy Series and Outstanding Lead Actor in a Comedy Series for Rogen. Byrne previously starred in the Annie Weisman series Physical , which ran for three seasons, and appeared in the holiday musical Spirited . Stoller and Delbanco shared their excitement saying “We couldn’t be more excited to get back into the world of Platonic with our amazing partners, Rose and Seth and Sony and Apple”. Apple TV’s head of programming Matt Cherniss added “Platonic is proof there is no duo better at making us belly laugh at mid life crises than Seth and Rose. Nick and Francesca accomplished the rare feat of taking the show to the next level in season two, and, along with our partners at Sony, we can’t wait to see what they cook up for season three”. With Sylvia and Will heading into the unpredictable world of bar ownership, Season 3 of Platonic is shaping up to deliver even more awkward, heartfelt and hilarious moments.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: Paul Dano to Star in Florian Zeller’s Psychological Thriller BUNKEROscar winning filmmaker Florian Zeller has pulled together an impressive cast for his next psychological thriller and now Paul Dano is officially part of the lineup. The project is Bunker, Zeller’s follow up to his acclaimed films The Father and The Son , and it is already shaping up to be one of the most intriguing films on the way for 2026. Dano has has a string powerful performances in There Will Be Blood , The Batman , Prisoners , and The Fabelmans , and he recently stepped into a very different world with The Wizard of the Kremlin . Hollywood has been celebrating the actor ever since Quentin Tarantino lost his mind and said that he was “the worst fucking actor in SAG” which only fueled the affection and admiration around him. Now he joins a cast led by Javier Bardem and Penelope Cruz , along with Stephen Graham and Patrick Schwarzenegger . Filming on Bunker is already underway in Madrid and London. The movie digs into the psychological spiral of a family whose lives are slowly disrupted by a strange construction project a bunker commissioned by a powerful tech mogul. Zeller has built a reputation for guiding actors toward unforgettable performances and with this story he aims for another intense character driven experience. The filmmaker shared his excitement about bringing Dano into the ensemble. “We are thrilled to welcome Paul Dano to the cast. From Little Miss Sunshine to There Will Be Blood , Paul has consistently impressed me as an actor. He possesses an extraordinary singularity — something genuinely unique — and in that sense, he is truly irreplaceable.” Production is being handled by Blue Morning Pictures under Mediawan and MOD Producciones, with international sales through FilmNation Entertainment and domestic rights managed by CAA Media Finance and WME Independent. Zeller offered special praise producers Mariano Cohn and Gaston Duprat, whose work helped spark the creative direction of the film. He said he considers them “incredibly inventive and talented filmmakers, for whom (he holds) a deep artistic admiration.” He added that “Their film ‘El hombre de al lado’ was a source of inspiration for me while writing Bunker .” Bunker is sure to end up being a gripping psychological thriller with the potential for standout performances across the board.Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: IT: WELCOME TO DERRY Unleashes Its Most Horrific Sequence and Andy Muschietti Breaks It DownEpisode 7 of It: Welcome to Derry pushes the series into darker territory, and it rips the floor out from under the audience. What begins as a flashback revealing the early days of Pennywise quickly shifts into one of the most disturbing and emotionally charged moments the show has delivered. Spoilers Ahead! The attack on the Black Spot, a small but vital event from Stephen King’s novel, becomes a centerpiece of the HBO Max prequel, and under the direction of Andy Muschietti , it turns into a nightmarish collision of human hatred and supernatural terror. The sequence erupts after the racist mob of Derry’s white citizens storms the Black Spot, searching for the wrongly accused Hank Grogan. Weapons drawn, tension tightening, it seems like a massacre is about to spark. The clash is briefly interrupted when the mob steps back, giving everyone inside a moment to breathe. That breath is short lived. The doors slam shut from the outside while Molotov cocktails shatter through the air. Bullets tear into the walls. The Black Spot ignites with its patrons trapped inside, including many of the series’ key characters. In the novel, this event is haunting and abrupt. Here, it becomes a sprawling and harrowing experience. Muschietti says the team always envisioned expanding the sequence. “In the big ocean that is the book, the Black Spot seems small, but it’s actually a very substantial event in the interludes. Since we’re basing the show on the interludes, we really wanted to show the events of the Black Spot and use it as a guideline. “Apart from a dramatic low point, it is a guideline that leads our characters towards a catastrophic conclusion, or, if not a conclusion, a big pivotal point in the story.” As fire spreads and the mob’s violence crescendos, the supernatural slips in. Pennywise drifts into the chaos, drawn to the panic as if feeding in real time. Dick Hallorann, with his telekinetic gifts, witnesses spirits flooding the burning room. Real world brutality merges with the otherworldly in a way that underscores the show’s core idea that Derry’s worst horrors are homegrown. Part of what makes the sequence so intense is the pacing. Muschietti crafted it to trap viewers inside the nightmare. “I wanted to do justice to the book in terms of the horror and the atrocities that are experienced. I wanted to not only create tension and suspense on the build up, but also when the whole thing goes off. “We wanted to create the impression that we are locked inside with the rest of the people. That’s why the perspective doesn’t leave the room. There is a bit of a oner that basically follows several characters as the panic spreads with the fire. “It’s a really tough scene to watch and was a very tough scene to shoot, but I really wanted to stay true to the intensity of that part of the book.” Pulling off a sequence like this required a massive technical swing. The production used two sets to create the illusion of an enclosed, burning deathtrap. “The burning of the Black Spot happened mainly on two big sets. One of them is the set of the Black Spot where we shot several scenes before. The second one is a more open place used for the part where chaos prevails and everything is on fire. I wanted to create confusion. “I wanted to put the audience in the driver’s seat of that catastrophe and give the impression that you are lost and you don’t know where the door is.” He explains that the shot blends both sets seamlessly. “It’s curious, because set No. 1 and set No. 2 are sort of fused in one of the shots. You can actually see it if you pay attention; you can see how we go from the set to a place that is engulfed in flames.” Practical fire was used whenever safety allowed, and the rest came through post-production. Stunt performers and the cast navigated a controlled but physically intense filmming environment. Beyond the fire and technical wizardry, the scene needed the appearance of total disorder even though everything was carefully designed. “It was a challenging sequence to film, because you’re trying to convey chaos and panic and a lack of control. But of course, you had to choreograph every single second of it, and that’s what we did. “The choreography took us probably two days of designing the whole sequence. The oner was a very challenging shot to achieve, because it basically starts with the first Molotov cocktail that sets the fire. Then people panic. “They start running in all directions and the camera has to follow certain characters and then transition towards the action of other characters and then pan out to the ceiling, where it’s on fire before we fall back and someone takes us to another corner.” Despite the precision, moments of spontaneity still snuck through. “Of course, there are moments of improvisation. Because it’s a scene with heightened emotion, people do things that were not planned. “There were things that didn’t happen as expected, but then everything fell back in line. It’s a great thing about making movies: accidents happen. I don’t mean accidents like something bad happens, but something unexpected.” The team shot the sequence over four to five days, pushing themselves to capture the visceral, unrelenting experience Muschietti envisioned. And it all builds toward a thematic message at the heart of Welcome to Derry. “We shot this in a very visceral way. It’s a very first person experience. We wanted to get the audience to feel what being trapped in this place would be like. Dramatically, that was the intent. “Thematically, we wanted to convey the idea that the worst things that happen in this world are often caused by us humans and that we are capable of inflicting pain and hate and horror in...

خلاصہ: MUTANT MAYHEM 2 Director Confirms New Live-Action NINJA TURTLES Movie Won’t Impact the SequelTeenage Mutant Ninja Turtles fans were hit with a double dose of news this week. Paramount revealed plans for a brand new live-action Teenage Mutant Ninja Turtles film that aims to shake up the franchise in a big way. They want to “Sonic-fy” the franchise , and that makes me sad. Especially since the R-rated adaptation of The Last Ronin was shelved in favor of the new vision. At the same time, audiences are gearing up for the upcoming sequel to Teenage Mutant Ninja Turtles: Mutant Mayhem , which arrives a full year before the live action project. With two major TMNT stories heading to theaters so close together, it’s fair to wonder whether one might overshadow the other. Fortunately, director Jeff Rowe isn’t concerned. Rowe, who helmed Mutant Mayhem and is directing its 2027 follow up, spoke with io9 just as the live action announcement dropped. Even he was still catching up on the news. “No one’s called me and told me anything yet,” Rowe said. “It seems like we’re moving into a world where maybe multiple things can coexist. And, you know, there was a time when there were live-action Spider-Man movies being made at the same time as Spider-Verse. I love these characters and welcome as many takes on the franchise as people are willing to put out there.” That confidence comes from knowing how strong the animated sequel’s progress has been. Rowe recently wrapped producing duties on a short film that plays in the same universe, Teenage Mutant Ninja Turtles Chrome Alone 2 – Lost in New Jersey . Balancing the short while managing the feature film kept him moving nonstop. “Sometimes it would be like ‘This week is all about the short.’ And other times it’d be like, ‘All right, short, you’re on your own. Here’s $20 for pizza, and I’ve got to go deal with the feature.’” Even with all that juggling, he sounds optimistic about where the sequel stands. “There are a lot of parts that are now going into animation, and I think the film will be fully animated by the middle of next year. Then we’re going to be lighting and comping and just working every day to put as much quality on screen as we can.” Fans eager for details about the story or official title will have to hold tight. Rowe isn’t sure when those reveals will happen. “We’ll see what the marketing department thinks is best,” he said. “But I think there’s some internal excitement about it. And I’m excited for the world to see it.” Same here. And while we wait, audiences will get a small taste of the world that Mutant Mayhem set up. The new short Chrome Alone 2 arrives in theaters on December 19, attached to The SpongeBob Movie Search for SquarePants .Source InformationPublisher: Geek TyrantOriginal Source: Read more

خلاصہ: Ghostface’s Scrapped SCREAM 7 Storyline Revealed and It Pushed the Franchise into New TerritoryThe Scream franchise has shifted gears a lot over the years, but the detour taken on the way to Scream 7 might be the wildest yet. What was once planned as the final chapter of Sam and Tara Carpenter’s arc has transformed into a very different sequel. With Melissa Barrera removed from the film, Jenna Ortega stepping away, and Kevin Williamson taking over directing duties from Christopher Landon , the creative roadmap was completely redrawn. Now the original Ghostface plan has been revealed, and it’ll be interesting to see what fans think about what could’ve been. The upcoming sequel, set for a February 26, 2026 release, is now going to bring Sidney Prescott back into the center of the horror series. Neve Campbell ’s return is exciting, but it wasn’t the intended direction. Scream 5 and Scream 6 had built a steady escalation around Sam and Tara’s story, teasing darker instincts in Sam and deepening her disturbing connection to Billy Loomis. That trajectory was supposed to culminate in Scream 7 , and Skeet Ulrich revealed the core concept behind the trilogy the filmmakers pitched him years earlier. Ulrich, who played the franchise’s first Ghostface and appeared to Sam in visions, confirmed that he had been lined up for another return. Speaking with Entertainment Weekly , Said: “When we talked about coming back for 5, it was a three-picture arc for Billy Loomis to slowly turn his daughter into the killer. Obviously, those things didn’t pan out, given certain things that happened. But, no, I know nothing about the seventh.” That idea would have pushed the franchise into genuinely new territory. Scream has never turned its final girl into Ghostface. Sidney’s survival has always been rooted in her moral clarity, and part of her legacy comes from facing horror without losing herself to it. Letting Sam slide into villainy would have rewritten the rules. For the first time, Ghostface wouldn’t be a random killer behind the mask, but a corrupted protagonist whose fall audiences had watched unfold over several films. The shift away from that storyline means we’ll never see how far Sam’s inner turmoil could have gone or how Tara would have reacted to her sister crossing that line. It also would have created room for deeper psychological storytelling, something the franchise only brushes against from time to time. Considering the speculation already swirling around Sam’s potential descent, this reveal confirms the filmmakers were ready to take a bold and interesting leap. Reinventing Scream once was a challenge the 2022 and 2023 films managed surprisingly well. Reinventing it again without the Carpenter sisters is a far steeper climb. Fans are divided over the circumstances that pushed production into a new direction, and with Paramount planning more sequels, Scream 7 will need to hit hard to maintain momentum. The pressure on Sidney’s return is massive, and the creative team will need a fresh concept that’s just as thrilling as watching a heroine become Ghostface. Whether the franchise can pull that off is the big question. But knowing how close we came to a radically different Ghostface reveal makes the road ahead even more fascinating.Source InformationPublisher: Geek TyrantOriginal Source: Read more